Final Destination 5 2011
Synopsis No matter where you run, no matter where you hide.you can't cheat death. In 'Final Destination 5,' Death is just as omnipresent as ever, first revealing its menacing reality to a group of coworkers headed for a corporate retreat. During the bus ride, Sam has a premonition in which he and most of his friends, as well as numerous others, die in a horrific bridge collapse. When his vision ends, events begin to mirror what he had seen, and he frantically ushers as many of his colleagues - including his friend, Peter, and girlfriend, Molly - away from the disaster before Death can claim them. But these unsuspecting souls were never supposed to survive and, in a terrifying race against time, the ill-fated group tries to discover a way to escape Death's sinister agenda. Metrics Latest Ranking on Cumulative Box Office Lists. Record Rank Amount 1,972 $42,587,643 781 $112,423,522 1,041 $155,011,165 596 $42,587,643 157 $112,423,522 248 $155,011,165 327 $42,587,643 126 $112,423,522 167 $155,011,165 See the tab (Domestic) and tab (International and Worldwide) for more Cumulative Box Office Records.
Final Destination 5 (2011) During a bus ride with his colleagues to a corporate retreat, Sam (Nicholas D'Agosto) experiences a horrifying vision: the suspension bridge that they -- and many others.
Movie Details Production Budget: $40,000,000 Domestic Releases: August 12th, 2011 (Wide) by August 12th, 2011 (IMAX) by International Releases: September 23rd, 2011 (Wide) December 27th, 2011 by MPAA Rating: for strong violent/gruesome accidents, and some language. (Rating bulletin 2179, 7/6/2011) Running Time: 95 minutes Franchise: Comparisons: Keywords:, Source: Genre: Production Method: Creative Type: Production Companies:, Production Countries. Were the only film to top $10 million on the international chart this past weekend earning $12.61 million on 5,931 screens in 61 markets. This lifted its totals to $364.47 million internationally and $502.83 million after two months of release.
The film has no major markets left to open in, but it remained in first place in Italy with $3.03 million on 559 screens over the weekend for a total of $8.26 million after two. It also remained in top spot in Australia with $2.55 million on 458 screens over the weekend for a total of $6.97 million after two.
September 14th, 2011. Have taken top spot on the international chart for the fifth weekend in a row, this time earning $14.78 million on 6,425 screens in 80 markets for a total of $321.17 million internationally and $457.18 million. The film opened in Japan over the weekend, but was a non-entity placing fifth with $857,000 on 235 screens over the weekend and $994,000 in total. It opens in Australia and Italy this weekend and if it can do well in those two markets, it should reach $500 million worldwide before long. September 8th, 2011. Started September the same way they ended August, on top of the international chart. Over the weekend the film earned $25.09 million on 8,318 screens in 78 markets for totals of $297.72 million internationally and $429.77 million.
The film opened in first place in the United Arab Emirates with $1.9 million on 37 screens, which was the second best opening in the market this year, behind only. It also earned first place in Sweden with $1.11 million on 128 screens and second place in Norway with $1.05 million on 132.
Given its surprising strength over the weekend, getting to $500 million worldwide has become more of a reality. September 1st, 2011. For the third weekend in a row, earned first place on the international chart. This time they pulled in $26.82 million on 9,023 screens in 48 markets for a total of $258.27 million internationally and $384.22 million. It was a pretty slow weekend in terms of new releases (it earned $739,000 on 137 screens in Denmark) but that changes next weekend with an opening in Japan, while Australia and Italy are also just around the corner. Even if the film had no markets left to open in, it would still get to $300 million internationally and $400 million worldwide, but even with these three major markets, it probably won't hit any other major milestones. August 22nd, 2011.
Final Destination 5 2011 Movie
That's really all that needs to be said about the weekend box office. Outside of, there are practically no positive stories to report. All four wide releases that opened this week missed expectations, some by significant margins, which led to a 20% collapse from last weekend. There was also a decline from, albeit by just 3%, which is actually an improvement on 2011's average. Year-to-date, 2011 is behind 2010 by just over 4% at $7.13 billion to $7.43 billion.
There's little hope things will turn around next weekend. August 19th, 2011 The winners of our contest were determined and they are. August 16th, 2011. While three of the four wide releases that opened this week missed expectations, the one that beat expectations did so by enough that we can still say the box office was a success pulling in $155 million. That was off by 7% when compared to last weekend, but more importantly it was 8% higher than the same weekend.
The year-over-year winning streak has hit five weeks, while 2010's lead over 2011 has shrunk to just a hair over $300 million at $7.23 billion to $6.93 billion. Should 2011 continue its recent winning ways, the total box office should reach $10 billion for the year and perhaps show a little growth over 2010 in the end.
August 11th, 2011. Four wide releases open this week, but unless one of them is a surprise hit, I think it's safe to say that summer unofficially ends this weekend. That's not to say the films opening this weekend are all destined to bomb and most should at least become solid midlevel hits, but odds are will retain top spot on the chart.
Unfortunately, this weekend we did have a surprise hit and there's almost no chance any film this year will match ' opening and that could mean 2011's winning streak will come to an end. On the other hand, there's a lot more depth this time around and since the four wide releases share very little crossover appeal, they might all reach their potential and that might be enough to eek out a win. August 4th, 2011. There are four films opening wide or semi-wide and while not all four of them has a shot at top spot, none are the obvious front-runner. (In fact, there's a chance none of them will top the chart.) This makes picking the target film for this week's box office prediction contest a little more difficult.
The easiest choice is to go with the film with the highest estimated theater count, which is. In order to win, one must simply predict the opening weekend box office number for. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of on.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of on. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
August 1st, 2011. It's that time of year again, the time where we try to guess when Summer ends. According to the real world, Summer ends on the 22nd of September, but in the movie business, summer ends suddenly one weekend in August, and it's never really predictable which weekend that will be. There is some reason to be optimistic, as ended on a relatively strong note.
Both films that were predicted to be monster hits, and, were monster hits. And for every potential $100 million hit that missed expectations, there was another film that topped them. If this momentum can carry forward, then perhaps summer can be extended for for one or two more weeks. Of 2010 was a good end to the Summer with two $100 million movies and a few mid-level hits. I'm not sure if 2011 will be able to replicate that performance, but Summer could end on a high note. Date Rank Units this Week% Change Total Units Spending this Week Total Spending Weeks in Release 5 51,498 51,498 $1,183,948 $1,183,948 1 15 18,730 -64% 70,228 $452,321 $1,636,269 2 Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey. We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.